http://rockhall.com/exhibits/rolling-stones-50-years-of-satisfaction/
http://www.antimusic.com/news/13/September/27Rock_Hall_Reveal_Details_About_the_Rolling_Stones_Series_Events.shtml#.Ukb8JmTuU8W
Saturday, September 28, 2013
Monday, August 19, 2013
It Always Comes Down to the Stones
The other night I was watching Freaky Friday for the umpteenth time. (Don’t judge me.) Towards the end of the movie, the daughter, played by Lindsay Lohan, takes the stage at the House of Blues with her band, but because she is actually living inside her mother’s body (and vice versa), she has no idea how to play the guitar. In her attempt to fake her guitar mastery, she emulates the Rolling Stones – the only rock concert she (her mother) has ever attended. One of my favorite episodes of Mad Men is when the Heinz people enlist Don Draper to convince the Rolling Stones to sing "Heinz is On My Side" in a television commercial. These allusions got me thinking. When it comes to identifying the quintessential rock and roll band, it seems that it always comes down to the Stones.
The simple reason that there are so many Stones-related references
in television and movies could be due to their longevity. Chalking up 50 years with
no sign of slowing down certainly elevates any band to iconic status. Because they’ve
been around so long, everybody
recognizes their music. It’s familiar, and familiarity is comforting. For many
of us, music triggers memories and emotion that many film/TV directors use to
their advantage.
The Rolling Stones are the most recognized and the arguably
greatest rock and roll band of all time. Their appeal and emotional resonance could also
work at the unconscious level. In the documentary Crossfire Hurricane, Keith
Richard says, "The Beatles got the white hats. What's left?” he asks. “The
black hat."
Perhaps Keith is touching upon the Shadow Archetype, the
darker side of our unconsciousness. This archetype symbolizes the wildness,
turmoil, and madness that reside in all of us. The Stones music, along with the
band’s image, tap into our collective unconscious. Carl Jung argues that when
an archetypal situation occurs, we feel an extraordinary sense of release. The wild,
bad-boy persona of the Stones may have started as a marketing tool, but it has
endured because we connect to it as a shared heritage of human experience,
making them an ideal and effective pop-cultural reference.
Martin Scorsese seems to exploit this shadowy aspect of the
Stones. An obvious Stones fan, Scorsese
frequently uses their songs in many of his films, including the darker scenes. One
of my brethren from Shidoobee, an online community of Stones fans, pointed out Scorsese’s
subtle use of the song “Let It Loose” in The
Departed. A moody, slow song from
Exile on Main Street, “Let it Loose,” for me, elicits a tender response.
Scorsese, on the other hand, plays it in the background as Jack Nicholson smashes
Leonardo DiCaprio’s already broken hand with a boot. Ouch!
Whether musical associations are lighthearted or sinister,
when you think of rock and roll, nine times out of ten, it always comes down to
the Stones.
Tuesday, July 16, 2013
Mick: Show Us Some Skin
The Rolling Stones
seem to be hinting through posts made via Facebook and Twitter that this past weekend’s
concert at Hyde Park may only be the conclusion of “this leg” of the 50 and Counting Tour. Like most Stones fans, I’m hoping that they will continue after a summer
hiatus. If they do, I have one simple request for Mick Jagger: Show us some
skin!
Recently I watched
a full-length video of the Stones at Glastonbury. Viewing a video of the
concert, as opposed to being there in person, I found myself focusing on the
visual aspects of the show. The epic production of a Rolling Stones concert is
a highly calculated one with extensive set and lighting design and costume
changes, among other things. Mick Jagger wore several different outfits but
ultimately peeled away jackets made of sequence and ostrich feathers to reveal
a plain, long-sleeved black shirt.
Pardon my
shallowness, but seriously. Mick, you still look great! Break out those tight t-shirts
from the last tour and display your well-toned arms. I can’t be the only fan
that wouldn’t mind getting a glimpse at your abs as you raise your arms and
point into the crowd. Why are you covering up?
Unfortunately there’s
been a lot of nasty press about the Stones being too old to rock. Mick Jagger
will turn 70 at the end of this month, so perhaps there are some that think men
of a certain age should suddenly wear more conservative, less-revealing
clothing. Just last month I spent some time in Hawaii around a resort pool and
saw many shirtless guys in their 20s and 30s sporting spare tires and looking soft
and haggard. Youth does not automatically equal hotness.
In a commentary published in The Guardian, Hadley Freeman argues that,
“casual ageism isn't ‘less bad’ than any of the other nasty-isms.” I agree with
her point that the constant mocking of the Rolling Stones and other aging
musicians and celebrities is nothing more than blatant age discrimination. The
Stones may all be grandparents, but they sound amazing and are still rocking at
their best. In addition, Freeman emphasizes that Mick has a fitness routine
that would put most of us to shame. “Presumably those who are so grossed out by
Jagger's age would like to trap him and put him on an ice floe, but sadly they can't
catch him, as he's in such good shape and can outrun us all.”
Inspired by one
of those beloved t-shirts is an excerpt from my novel Satisfaction:
Mick Jagger sang
the lyrics to one of rock’s most famous openings, running to the front of the
stage to shuffle, point and dance. He was wearing his signature tight black
trousers and a red muscle tee. Ginny couldn’t help but notice the amazing shape
he was in. Veins popped up from his muscled arms, and she imagined running her
fingers across the sinewy collection of thick purple rivers flowing down to his
wrist.
He was smoking
hot. Thin and cut, he kept right on rocking the whole civilized world. Mick
Jagger, iconic rock star, the world’s most energetic, enigmatic man captivated
her. As Ginny looked around, she knew that she wasn’t the only one caught under
his hypnotic allure. Twenty thousand hearts and minds belonged to him, if only
for two hours.
Sunday, June 16, 2013
Stop Blocking My View With Your Phone
It’s been almost a month since the Stones played the Staples
Center , and it’s only now that I am
able to reflect upon my experience. What a truly amazing show! It was worth
every penny. Although I haven’t been around since the beginning of their career,
over 50 years ago, I have quite a few Stones concerts under my belt and can
honestly say that they are currently at their best. Yet, I've been hesitant to write
about the concert since there are already so many reviews out there. Is there
anything that I could actually add to the conversation?
I am left with one nagging regret. I made a huge mistake when
I bought floor seats to a concert that I had been waiting years to see. If
you’re over 6-feet tall, the floor location might be a desirable one. I,
however, had to stand on my tippy toes the entire time and peek around, in
between and over the shoulders of the more statuesque fans. Once in a while, I
snuck up front into the aisle and had a direct view of Jagger or Richards strutting
around the stage before I was swept back to my seat by the Gestapo-like security
guards at the Staples Center .
I've had floor seats in the past and have always been able
to see between the people in front of me. This time was different because everybody
had their damn cell phones held out, up in the air, as they recorded parts,
if not all, of the concert. Nearly half of the audience viewed the entire
concert through the tiny screens of their phones. As they angled for the best
shot, I had to rapidly maneuver to peer through jutted elbows and poke my head underneath
armpits. At times it seemed as if I was trapped behind a solid wall of towering
bodies.
Will somebody please explain why a person would view a
concert through a cell phone. Why is it better to experience the concert second
hand rather than seeing it with their own naked eyeballs? I don’t get it. Mick,
Keith, Ronnie and Charlie were right there, live and in person. And, if you
wanted to watch it on screen, there was a giant video display behind the band,
showing a real-time edited version of the live concert.
Comedian Louis CK witnessed the same phenomenon at his
daughter’s dance recital and urged parents not to block their own children out
with their smart phones: “The resolution on [your] kid is unbelievable. It’s
totally HD.” The Stones were merely a few feet away from some people, yet they
chose to hold up phones in front of their faces and record movies that they
think other people want to see. I've watched these amateur clips shared on Facebook
and tweeted by enthusiastic fans. Frankly, they’re less than stunning and are
not at all an accurate representation of the live concert experience. This is
not how I want to see or remember the Stones, two inches tall, blurry with inaudible
sound
Perhaps these fans think that their recordings will be the
only way to see the Stones over and over again. I wouldn't worry though. If I
know the Rolling Stones, and I think I do, the 50 and Counting Tour will soon
be available on DVD, Blu-Ray and digital download for purchase at an outlet
near you.
Monday, May 27, 2013
Friday, April 19, 2013
Why Stones Fans Pay
The Rolling Stones are driving me to bankruptcy. After buying two tickets to see them play at the Los Angles Staples Center, I had to lock away my credit card until I pay off the balance – probably sometime in 2014. Much has been made about the excessive ticket prices for their upcoming tour (http://www.huffingtonpost.com/2013/04/04/rolling-stones-ticket-price-hyde-park-london_n_3014678.html). The cost of a single ticket ranges from $150 to $600, while a staggering $1500 will get you into the Tongue Pit, a standing-only, general admission area right next to the stage.
I know what
you’re thinking, and you’re right. It’s ridiculous to pay that much money for a
concert ticket. By participating in this sort of price gouging, I’m only
exacerbating the problem. Trust me, I’ve heard it all before.
I’ve even
dabbled in joining rebel groups like The Rolling Stones Liberation Front, a non-violent guerrilla unit with simple
demands: smaller venues and cheaper ticket prices. The organization proved no
match against concert promoter AEG Live, and on April 4th issued a
statement: “the RSLF has
officially commenced implementing counter-active measures.” The members
were disappointed, and we commiserated with one another as we pulled out our
credit cards in solidarity and purchased our Stones tickets.
The dignified
thing probably would be to sit this one out and send a message that we’re not
going to take it anymore. But let’s face it, as life-long Stones fans, shelling
out half a month’s salary to watch a three-hour concert from the nosebleed
section every time they tour, we’re used to shedding a little dignity here and
there. Tapping into one’s savings for a concert is not for the casual fan. We
are diehards, and yes, maybe even a bit foolish, but we’re loyal. No amount of
money will keep us away.
We will pay, and
this is why:
We Are A Devoted And Diverse Fan Base
The Rolling Stones
are a phenomenon. The world
greatest rock stars, they appeal not only to their generation but to their
children and grandchildren. They have fans from all over the world, having sold
an estimated 200 million records worldwide. They are ranked as one of the
greatest artists of all time in Rolling
Stone magazine and are the most successful and longest-living rock-and-roll
bands in history. They’ve recorded hundreds of songs, over 35 albums, and their
tours continue to be the highest grossing in history, selling out venues all
over the world despite the high ticket prices. The Hyde Park concert sold out in
less than five minutes – that’s 65,000 tickets!
Everybody Loves A Rock Star
When I was a
teenager, I fell in love with Mick Jagger. I celebrated my new boyfriend, hung
posters of the Stones on my walls and bragged that my rock star was hotter than
yours. Even though he was older than my father, he was a symbol in which to
pour all of my energy, the crazy pubescent hormones that seemed to be taking
over. I know I’m not alone in my passion. The allure of the rock star is
transcendent.
If you don’t
want to be with one then you want to be
one. I can’t tell you how many times I’ve caught grown men grinding air guitars
and pounding imaginary drum sets when they thought nobody was looking. Just the
other day I found my husband standing in front of the mirror, axe slung low over
his body, right arm in the air, striking the perfect Pete Townsend pose.
We Love Mick, Keith, Ronnie & Charlie
Mick
Jagger is easily the greatest front man of all time. He brings enthusiasm and an
unabashed sexual energy to the stage and puts younger wannabes to shame. He
also plays a mean harp, and along with Keith
Richards, is one of rock and roll’s most successful composers. The coolest cat
in the world (and sometimes pirate), Keef continually tops the best-of-guitar
lists. Charlie Watts is an accomplished jazz musician. Besides being another of
rock’s great guitar players, Ronnie Wood’s paintings have been exhibited around
the world.
We Love The Music
Yes, we love
Mick and the boys, but in the end, it is simply about the music. It is the one,
true thing in our lives. Capturing moments, concentrations of time, the music articulates
everything that we feel, want to say or need to say but can’t find the words.
The Rolling Stones express our souls, transport us to a moment of emotional
purity. The music is capable of reaching down into our guts and pulling out
what is authentic and real. Great songs purge you but they also energize with
idealism and joy. They fuel your tank and propel your forward. We love the
Rolling Stones because of the way their music makes us feel: like anything is
possible.
It may only be rock
and roll, but we like it, even if we have to pay an arm and a leg for it.
Saturday, April 6, 2013
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